Aguirre EP by Virlyn

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If I, Aguirre, want the birds to drop dead from the trees… then the birds will drop dead from the trees. I am the wrath of god. The earth I pass will see me and tremble. Whoever follows me and the river, will win untold riches. But whoever deserts…

~Don Lope de Aguirre
from Herzog’s “Aguirre, the Wrath of God”

Also known as “Aguirre, Wrath of God”, it is (according to Wikipedia) a West German New Wave adventure art film written and directed by Werner Herzog. It was shot in 1972, two years before I was born, and looks like it is a tremendous film … in part because it has inspired Virlyn to create the “Aguirre EP” for the Subterranean Tide netlabel.

The Aguirre EP features four exquisitely detailed instrumental tracks from Virlyn that sit somewhere in the intersection of ambient & neo-classical music. Their use of drones, synths, field recordings, strings, acoustic guitar, and even what sounds like a harp to create the vibrantly dense and overwhelmingly immersive tracks that populate this EP is simply inspired.

In addition to having not seen the film, I have not heard the Popol Vuh soundtrack. Whilst I mean no disrespect to Popol Vuh, I could easily imagine Virlyn’s EP, and music in a similar vein, easily and succinctly replacing their original backing. Virlyn’s expression paints pictures in my head of oppressive natural environments … places and spaces that could easily overwhelm. Fitting, therefore, for a journey down the Orinoco and Amazon River trudging on foot through the lush but unforgiving Amazonian jungle.

There is an eeriness to the music … an unfamiliarity that comes from the unknown … an unfamiliarity that ensures the listener pays attention, it keeps them on edge. I found this eeriness utterly fascinating and intriguing … the EP caught & held my attention through numerous plays on repeat.

In fact, I found the whole EP fascinating. It is a wonderfully vibrant & expressive ambient piece that is right at home with Subterranean Tide, a netlabel whose output to date has been flawless.

I hope you will enjoy this EP as much as I have. I intend to catch “Aguirre, der Zorn Gottes” soon and will put to the test my idea that this EP could replace the soundtrack … however, until I do, I will hold onto this EP with the mental images I have and treasure it for the marvel it is.

~Thomas Mathie, Founder of weareallghosts

Credits:

Music by Frédéric Vanderlynden
Photography by Kris Germann (kgephotography.com)
Thanks to Cristiane Silva Corten, Joannes Truyens, Gilmard Monte and Emily Ferrell

Get it here:

Free Download from Archive here
Available from Bandcamp here

Virlyn & AN MOKU: Of Mirrors

AD088_02“Virlyn and An Moku’s release, ‘Of Mirrors’ has an organic element. Meaning there is a naturalness to the ‘putting together’ of each song. The album is for explorers, while the sounds settle in being extremely meditative, surreal, and ambient. They take old classical instruments and use them as acoustic drones while acquiring and manipulating specific elements of the sounds for each song. Both musicians have an outstanding history from creating theatrical performances of Herman Hesse novels to being part of supporting acts for Whitney Houston, Joe Cocker and several others.
The phrase ‘Nature is beautiful’ is a purveying interpretation for the listener here. As they hear slow waves, and other ‘found’ sound samples, played alongside the dirgeful drones and scattered bits of solemn strings, “Of Mirrors” brings out the beauty in a natural progression. Virlyn and An Moku create the perfect ambience for multiple types of backgrounds by incorporating recordings from the lobbies before a jazz concert, reproducing the sounds of hiking through the woods, and waves rushing and crashing – all tied up with a classical harmony and steady drones. Coming from two countries, Belgium and Switzerland, it’s Virlyn and An Moku’s collaboration, ‘Of Mirrors.’”
Ray Jackson, Already Dead Tapes, 2013

Of Mirrors:
Steelyard blues
Secret place
Dance of the creatures
Mirror (Part1)
The room
Frost

Digital bonus track: Mirror (Part2)

Total running time: ca. 60 min

All music composed and produced by Virlyn and AN MOKU
Mixing and mastering by Virlyn
Electronics by Virlyn
Electronics, instrumental and field recordings by AN MOKU

All instrumental and field recordings captured in Switzerland and Iceland
Ending of ‘Frost’ captured during an orchestral warm up session at Harpa, Reykjavik

Swiss Performers:
Piano by Cornellia Stromeyer
Violin by Orina Zänerle
Cello by Jacki Knöpfel

Modified vocal sample taken from -The Seventh Seal- by Bergman, 1957

Photography:
Dominik Grenzler
Design:
Pan Pan/Joshua Tabbia

‘Of Mirrors’ has been recorded from november 2011 until march 2012.
After finishing it, we kept this album in our secret place until today.
Thank you for supporting us. Enjoy the tape!

Buy here.