Der Tanz der Maisstärke

Im April 2012 gab ich meine Geräte in Ehren an den deutschen Klangtüftler Stan Pete weiter.tumblr_m2ig860z791r2kr1vo1_1280
Nun schrieb er mir:

«Dein Oszilloskop hatte dieses Jahr seinen ersten Auftritt auf der Geniale in Bielefeld, wo wir junge Besucher an Circuit Bending herangeführt haben. Den Conrad Signalgenarator haben wir dieses Jahr für eine Abschlussarbeit einer Freundin benutzt. Wir haben damit Maisstärke zum tanzen gebracht :)»

Und hier ist das Video dazu:

AROVANE’s Loop Expansion pack for Twisted Tools

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The AROVANE Loop Expansion pack features 128 loops by the legendary AROVANE. At a tempo of 125BPM, these loops are just what you need to jumpstart your experimental electronic, IDM and glitch productions. In addition to the WAV files, this expansion comes with an optional expansion bank for Twisted Tools ULTRALOOP, featuring 128 hand-crafted presets to instantly get you started generating new grooves, variations and song ideas. With the ULTRALOOP expansion bank, 128 loops become hundreds more in no-time.

  • 128 Loops drums, percussion and fx loops by AROVANE
  • 125BPM
  • 16bit/44.1khz .WAV Files
  • Works with any Mac, PC or tablet device that supports .WAV files
  • 504MB
  • Includes optional ULTRALOOP EXPANSION snapshots with 128 presets for ULTRALOOP

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Buy it here: http://twistedtools.com/shop/loops/arovane-loop-expansion/

Kaffeemühle

Arne, a great friend of mine, prepared my old coffee grinder with different mics for me. Now I have the possibility to work with it more easily. Plug it in, baby!

 

Shibuya – Mecca for music equipment lovers

During my stay in Tokyo’s Shibuya a few days ago, I made a walk in the area around the Cerulean Tower looking for interesting spots. I knew this area already, but never checked it out. This time I could manage and found six shops of interest: Two huge shops with wide range of music equipment, one with used instruments only, two with guitars and a special tiny one :-) I took pictures of the shops only and have no names or webpages (sorry for that). So this quick review is recommended for guys who are going to visit Shibuya and do not have much time (I made my walk within 1.5h). Tokyo has hundreds of such nice spots full of music stuff such as the one in Harajuku called Floor G, but I did not find an area like that one before. Here you get such a range of shops in the surroundings. If I am wrong – let me know.

Bild 22.05.14 um 20.35 I started with a cup of Sunday Coffee’s black coffee (just in case you love coffee: Japan is not famous for coffee, so you have to search for tasty coffee spots). Sunday Coffee is nearby spot no.1: Hoockie’s Musician Farm is your dealer No.1 if you go for guitars. A small shop in the basement. Friendly stuff (nerds) as usual. Ask them, they get it for you done.

Having a nice walk away from the main road I arrived at spot no. 2, a store with seven levels. You get everything thee! Honestly. This is definitely the shop of my choice. Synths, recording equipment, DJ equipment, drums, guitars, pedals etc. and even a small recording studio. The prices are a little bit cheaper compared to Music Land Key (spot no. 3). Music Land Key is the biggest shop/store I have seen so far. So what to say, just check them out and get amazed.

Alright, if you do not have enough of all these impressions by now just follow the street and find a tiny shop (sorry, no picture) full of stuff you do not find in stores anymore, because you do not need them at all. Ha! I found there blank audio cassettes. 5min, 10min, 20min, 30min etc. Very cheap. If you are running a record company or are a sound artist using analog equipment and need audio cassettes per chance? – Do not forget to bring a huge bag with you! Spot no. 5 is the place to be for buying an acoustic guitar. Two floors. Did not check the basement (third floor). Amazing. And finally the last shop no. 6 with a huge advertisement on the front of the building. All used instruments: guitars, bass guitars, brass etc.

Wow, now had to leave. I had to return to the hotel or staying there would mean a heart attack for me. Far too many impressions. I could buy so many things… The result of my Shibuya walk: I bought new strings for my old ukulele at Music Land Key and three blank audio cassettes at the tiny shop. Shibuya seems to me as a kind of Mecca for music equipment lovers, musicians, street artists and and and. You pass recording studios, record companies, Jazz bars, nice restaurants… A great area away from the mainstream on the other side of Shibuya station. If you consider to buy equipment in Japan and do not have much time at all – do it there. Highly recommended!

DIY effect box made by Arne

Arne makes effect boxes on his own. Sometimes he rebuilds, sometimes he creates something new. He came to my café and left this box. What can this be? Got to find it out during the next days…

Meanwhile listen to Arne’s quiet track from “How to catch STILLE?”

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Kaossilatoren…

copyright by Dominik Grenzler

Seit 2008 besitze ich einen Kaossilator, den ich damals in Tokyo gebraucht gekauft habe. Um ganz ehrlich zu sein, ich habe paar Aufnahmen damit gemacht, die ich auch verwendete, aber mich nie ernsthaft damit beschäftigt. Mittlerweile gibt es diverse Nachfolger, Pro, Pro+ und iKaossilator.

Hier ein kleiner Überblick:

The Korg Kaossilator KO-1 is a portable dynamic-phrase synthesizer manufactured by Korg. It is capable of producing a wide range of sounds, can produce a continuous music loop, and can be tuned to various keys and scales.

Being related to the Korg Kaoss Pads, the Kaossilator is a synth that is played touching a pad that is not unlike a trackpad on laptop computers. For most sounds, moving horizontally on the touchpad changes the pitch over a range of two octaves (in one case, only one octave; for several sounds the range is much more than two octaves). For some sounds, horizontal movement affects a non-pitch parameter. Moving vertically usually modulates the sound in some way.

The Kaossilator features 100 programs, which are mostly synthesizer voices and sound effects, including acoustic (guitartrumpet,piano), percussion, and electronic sounds. The last 10 programs are complete rhythm-patterns, but since percussion sounds are included in the programs, users can develop their own rhythm-patterns by layering multiple overdubbed sounds. Programs are indicated only by a letter-and-two-digit designation on the LED display but are given specific names in the instructions. Most instruments can be locked into various keys and scales. The Kaossilator supports 31 different scale patterns including chromatic, blues and diatonic scales as well as more exotic scales such as Japanese and Egyptian.

The Kaossilator also has a gate arpeggiator and a loop function that allows the layering of instruments to produce loops. The loop recording function is somewhat limited, as the maximum length is two bars in 4/4 time. Despite this limitation, some artists have recorded full-length albums with the Kaossilator.

It is possible to overcome the two-bar limit as the Kaossilator records audio to memory. To do this the user sets the tempo to the desired value – 150 for example – and records his part. The tempo is then set to exactly half the tempo of before, in this case 75. When played back one hears the first two bars but then two more will be available afterwards.

Another way to fully overcome the two-bar limit is by powering up the Kaossilator while holding down the Tap and Loop Rec buttons. Doing this will make four bars available (by setting the Loop Length to 16), but this disables the Undo function.

An updated Kaossilator KO-2 was unveiled at the 2012 NAMM show, with 150 programs, two sound-banks, a save for audio files on a micro-SD card, built-in microphone and speaker, and touch-slide with + and – step buttons instead of a knob. The Kaossilator 2 was released in April 2012 at a retail price of US$160.

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Korg unveiled the Kaossilator Pro at NAMM on 14 January 2010. The device has a metal casing similar to the Kaoss Pad 3 (KP3), but its touchpad (divided into an 8×8 grid of rectangles) is back-lit with green lights instead of the KP3’s red lights.

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The larger pad makes it easier to hit specific notes compared to the original Kaossilator. It offers 200 sounds, vocoder patches, four channels of looping, MIDI, a gate arpeggiator, 31 scales, editor software, and other features. Unlike the original Kaossilator, it allows music-loops and settings to be saved on an SD memory card.

The Kaossilator Pro+ Version has even 250 sounds. The whole system has been unpated. Bigger and better.

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A software-only version is available as an application for Apple’s iPhone and iPad. The iKaossilator offers 150 sounds, a 5-track loop sequencer, scale/key settings, WIST support and the ability to save/resume an ongoing project but does not have an arpeggiator.

Bald mehr…

teenage engineering

Hell yeah! But what is this little white thing that looks like Korg’s nanoKey from a distance?
Let’s take a closer look…

The first time that I have realized an OP-1 portable synthesizer was in the studio live performance of Depeche Mode’s «Broken». To be honest at that time I thought that DM is performing a plugin with a nanoKEY. But it was not so. Some days ago I have made a post about Meme Antenna from Brooklyn and their customized modular systems. They had a plastic synthesizer with little plastic knobs and other additional plastic gadgets to buy there as well. Back in the hotel I had to find out more about that toy synthesizer and found a lot which impressed me!

This is DM’s studio live performance. If you do not like the track, just skip to 0:33 and 0:39 to see the OP-1 in action.

I went to the homepage of Teenage Engineering and got impressed by that video:

The accessory demonstration is great! If you like to play with Lego or even go for DIY instruments, you like it. Further on a full review by Sonicstate:

«Do you need it? I do not know. Do you want it? Hell yeah, I’d love one!»

www.teenageengineering.com