Arne, a great friend of mine, prepared my old coffee grinder with different mics for me. Now I have the possibility to work with it more easily. Plug it in, baby!
Auf der Suche nach neuen Klängen bin ich durch meine Mitarbeiterin des Miyuko Cafés auf ihren Eierschneider aufmerksam geworden. Sie erzählte mir, dass sie ihn zu Weihnachten bekam und er mache wunderbare Sounds. Vor Kurzem brachte sie ihn ins Café mit und ich machte erste Aufnahmen zusammen mit meinem eigenem, halb defekten Eierschneider. Ein schöner verstörender «Harfensound». Danke an Danique :-)
«Dagsavisen» is a daily newspaper published in Oslo,
Norway. A few days ago they came to Zurich to write about the music
scene and mentioned AN MOKU and Les Gourmandises de Miyuko (his
little café) as well. Takk!!! Read the full article.
The guys from Nanoblock created an over 130 piece toy synthesizer. «Easy!» – That’s what I thought and it took me more than one hour to built it finally by misunderstanding the plan. The final product? A little bit different kind of the origin toy synthesizer. Pity, you cannot play it ;-)
Seit 2008 besitze ich einen Kaossilator, den ich damals in Tokyo gebraucht gekauft habe. Um ganz ehrlich zu sein, ich habe paar Aufnahmen damit gemacht, die ich auch verwendete, aber mich nie ernsthaft damit beschäftigt. Mittlerweile gibt es diverse Nachfolger, Pro, Pro+ und iKaossilator.
Hier ein kleiner Überblick:
The Korg Kaossilator KO-1 is a portable dynamic-phrase synthesizer manufactured by Korg. It is capable of producing a wide range of sounds, can produce a continuous music loop, and can be tuned to various keys and scales.
Being related to the Korg Kaoss Pads, the Kaossilator is a synth that is played touching a pad that is not unlike a trackpad on laptop computers. For most sounds, moving horizontally on the touchpad changes the pitch over a range of two octaves (in one case, only one octave; for several sounds the range is much more than two octaves). For some sounds, horizontal movement affects a non-pitch parameter. Moving vertically usually modulates the sound in some way.
The Kaossilator features 100 programs, which are mostly synthesizer voices and sound effects, including acoustic (guitar, trumpet,piano), percussion, and electronic sounds. The last 10 programs are complete rhythm-patterns, but since percussion sounds are included in the programs, users can develop their own rhythm-patterns by layering multiple overdubbed sounds. Programs are indicated only by a letter-and-two-digit designation on the LED display but are given specific names in the instructions. Most instruments can be locked into various keys and scales. The Kaossilator supports 31 different scale patterns including chromatic, blues and diatonic scales as well as more exotic scales such as Japanese and Egyptian.
The Kaossilator also has a gate arpeggiator and a loop function that allows the layering of instruments to produce loops. The loop recording function is somewhat limited, as the maximum length is two bars in 4/4 time. Despite this limitation, some artists have recorded full-length albums with the Kaossilator.
It is possible to overcome the two-bar limit as the Kaossilator records audio to memory. To do this the user sets the tempo to the desired value – 150 for example – and records his part. The tempo is then set to exactly half the tempo of before, in this case 75. When played back one hears the first two bars but then two more will be available afterwards.
Another way to fully overcome the two-bar limit is by powering up the Kaossilator while holding down the Tap and Loop Rec buttons. Doing this will make four bars available (by setting the Loop Length to 16), but this disables the Undo function.
An updated Kaossilator KO-2 was unveiled at the 2012 NAMM show, with 150 programs, two sound-banks, a save for audio files on a micro-SD card, built-in microphone and speaker, and touch-slide with + and – step buttons instead of a knob. The Kaossilator 2 was released in April 2012 at a retail price of US$160.
Korg unveiled the Kaossilator Pro at NAMM on 14 January 2010. The device has a metal casing similar to the Kaoss Pad 3 (KP3), but its touchpad (divided into an 8×8 grid of rectangles) is back-lit with green lights instead of the KP3’s red lights.
The larger pad makes it easier to hit specific notes compared to the original Kaossilator. It offers 200 sounds, vocoder patches, four channels of looping, MIDI, a gate arpeggiator, 31 scales, editor software, and other features. Unlike the original Kaossilator, it allows music-loops and settings to be saved on an SD memory card.
The Kaossilator Pro+ Version has even 250 sounds. The whole system has been unpated. Bigger and better.
A software-only version is available as an application for Apple’s iPhone and iPad. The iKaossilator offers 150 sounds, a 5-track loop sequencer, scale/key settings, WIST support and the ability to save/resume an ongoing project but does not have an arpeggiator.